Coming into Manhattan like a ship at Fleet Week, The Queens Shakespeare Company arrived this week-end with its large troupe to finish up a successful run of its spring A Midsummer Night’s Dream. Moving from Flushing’s Bowne Street Church to the Secret Theatre in Long Island City, and then to the Grand Theatre at The Producers Club on 44th Street, the theatre company, despite an uneven cast, fulfills the comic promises of one of Shakespeare’s greatest entertainments.
Director Jonathan Emerson (who also plays an exuberant to the point of hyperactive Puck) efficiently steers the large ensemble into the small space of the off-off-Broaday theatre in the wild west of Hell’s Kitchen of New York City. In his director’s notes, Mr. Emerson declares his love for the mythologies touched upon by Shakespeare’s fantastical fairy characters contained in the parallel plots of A Midsummer Night’s Dream - the Fairy Queen Titania (Helyn Rain Messenger), her fractious (but sometimes seemingly bored) King, Oberon (Brian Walters), and their entourage. The dynamism of Flogging Molly, the Celtic-American LA Punk Band, anticipates the production, and the rest of the evening attempts to maintain that punk sensibility, most successfully by the clownish Helena (Kathleen Fletcher) in mad pursuit of her undeserving but beloved Demetrius (Bradley LeBoeuf.)
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